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How much can one fan of OKOM (Our Kind Of Music) accomplish in just a couple of years? Plenty, if it's Rockzilla, aka photographer Michael Johnson. From 2003 to 2005, rockzilla.net was a chronicle of the alt.country scene from a uniquely Texan perspective. But all good things must end, and Rockzilla has retired from the online 'zine scene.

This mirror site was copied from the rockzilla.net site with the express permission of Rockzilla hisself. If you don't believe me, go to the KHYI-Fans email list and ask him! Buddy will back me up, too.


 

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 Shining a light upon music that matters

 
Louis Ledford
Reverie
Waterbug Records
By Marianne Ebertowski

In the nineties Louis Ledford from Richmond, VA was the singer and songwriter of alt.country outfit Used Carlotta. With his powerful, well-crafted narrative songs and his charming, laid-back voice, he established a solid fan base far beyond his home turf. On Reverie, his solo-debut he effortlessly picks up from where Used Carlotta's engine stopped so many years ago.

Accompanied by a fine selection of local musical talent- including ex-Used Carlotta bassist Rusty Farmer and drummer Roger Wright - on mainly acoustic and traditional country instruments (guitar, mandolin, double bas, pedal steel) - Ledford tells tales about the American Civil War ("Belle Isle"), war in general ("Make It Home"), and there is a very moving personal account about a show he played in Brooklyn after 9/11 ("September").

Actually, telling personal stories is what Ledford is best at. "Are You Listening?" sounds so endearing and tender as if Tom Paxton had a hand in writing it. "Lonesome Road" with its gorgeous acoustic guitar solos and a discrete, but oh so lonesome pedal steel in the background makes your heart melt as snow in the morning sun. And the jazzy road movie-like "Maury St. Cemetery" with Penn on guitar, Rusty Farmer on double bass and drummer Roger Wright starring in the main roles, draws you right into its story as do the best of Tom Wait's songs. My personal favorite, however, is "Lately," which is about addiction and frustration and anger and, finally, murder. This is a song even Townes van Zandt or Steve Earle could have been proud of.

Reverie creates an atmosphere that is intimate and subdued. Thanks to the fact that the songs were recorded "live" in the studio with the window open at times, they sound as if the musicians are standing on your front porch on a sunny day and that gives the listener a very pleasant and warm feeling, in spite of the often dark and gloomy lyrics. This album deserves a lot more attention than it will probably get. Irresistible and luminously beautiful!

www.louisledford.com

Contact Marianne Ebertowski at ebertowski-at-rockzilla.net

 

  
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