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How much can one fan of OKOM (Our Kind Of Music) accomplish in just a couple of years? Plenty, if it's Rockzilla, aka photographer Michael Johnson. From 2003 to 2005, rockzilla.net was a chronicle of the alt.country scene from a uniquely Texan perspective. But all good things must end, and Rockzilla has retired from the online 'zine scene.

This mirror site was copied from the rockzilla.net site with the express permission of Rockzilla hisself. If you don't believe me, go to the KHYI-Fans email list and ask him! Buddy will back me up, too.


 

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 Shining a light upon music that matters

 
The Avett Brothers
MerleFest 2005
By Greg Yost

MerleFest, an annual event held at Wilkes Community College in the picturesque mountains of Wilkesboro, North Carolina, was created in 1988 by the venerable Doc Watson to honor the memory of his son Merle and the music they performed together. Throughout the years, this festival has thrived by preserving traditional American acoustic musical styles like bluegrass and old-time music and the artists that kept these genres alive. Though trends have come and gone in the world of Americana music, not much has changed over the 15+ years that MerleFest has been around, that is until a little trio from Concord, North Carolina took the stage on the second day of this year's festival.(Left: Avett Brothers at Merlefest 2005.)

The Avett Brothers are unlike any other band in Americana music today. With a potent combination of talent, charm and charisma, these guys break new musical ground by bringing a punk rock attitude to the world of traditional acoustic country. While they have done some great things in the recording studio, The Avett Brothers are known for their live performances and the raw energy and emotion they put into them.

Most songs feature more stomping, whooping, flailing and shouting than an old fashioned southern revival and the crowd eats it up. It would be easy for this band to come across as strictly a novelty act on-stage, but all the sound and fury of the performance only helps to accentuate the great collection of songs at the core of this band. By combining terrific songwriting with an unmatched stage presence, The Avett Brothers are one of the freshest and most promising bands in music today. And even though 2005 wasn't the band's first appearance at MerleFest, they soon became the talk of the event.

The Austin Stage at MerleFest, nestled at the base of steep, tree-lined hill at the center of campus, was the site for the band's first of four appearances over the weekend. The hillside, which was packed with music fans, erupted with applause as Scott Avett, Seth Avett and Bob Crawford took the stage. This site had hosted performances by artists like Jim Lauderdale, Tim O'Brien and the up-and-coming Old School Freight Train earlier in the day, but the crowd reaction to The Avett Brothers' appearance was by far the biggest.

Though the set was filled with the kind of "technical difficulties" that come from the merciless beating Scott Avett bestows upon his banjo on a regular basis, the crowd responded throughout the short performance by cheering and singing along with almost every song.

The band wrapped this first performance of the weekend with its usual closer, "Salvation Song" from 2004's stellar album Mignonette, but the crowd wouldn't let them get away that easy. Following a prolonged standing ovation, The Avett Brothers were called back to the stage for an encore, one of the few allowed throughout the tightly-scheduled festival.

If there was a quiet buzz surrounding The Avett Brothers prior to the performance at the Austin Stage, it became undeniably obvious as the roar of the crowd faded through the woods surrounding campus. People were talking about this band and planning the rest of their weekend at the festival around its next three performances. (Left: The Avett Brothers at Merlefest 2005)

As the festival progressed, the venue for The Avett Brothers got bigger and bigger. Saturday afternoon found the boys playing to a packed field at the Americana stage and they didn't fail to please. The quiet beauty of "November Blue" was countered by the overt aggression of "I Killed Sally's Lover," and Seth's solo acoustic version of "My Last Song to Jenny" was a highlight of the performance.

On Sunday, the final day of MerleFest, the band got the morning started with an appearance at the Hillside Stage. Though it was a significant set for the band, it served as a warm-up for The Avett Brothers' brief but triumphant turn at the Cabin Stage, one of the showcase venues at the festival.

Located next to the festival's main stage, The Cabin Stage allows performers to play for tens of thousands of people between sets by the headlining acts, and provided the band with its largest audience of the weekend. The Avett Brothers took the stage by storm and culled another standing ovation from the crowd ­ a task not easily accomplished.

Although it is anything but traditional, The Avett Brothers made its mark on MerleFest by outshining some of the biggest names in Americana music today. In three short days, the band won over a significant portion of the 82,000+ hardcore devotees gathered to celebrate traditional acoustic music ­ a true testament to the power of this band.

 

 
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