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"One fool on the stool
is what I heard the bartender say..."
These words are almost as legendary as the man who first made
them famous thirty years ago. Everyone knows instantly that this
is none other than Johnny Bush, who is nothing less than an institution
in his home state of Texas. Perhaps Bush has achieved this status
because he has played music with nearly every icon of Texas music
in the five decades his career spans, ranging from Ray Price,
with whom Bush did a stint as a Cherokee Cowboy, to the original
music outlaw, Willie Nelson. Or maybe Bush's legendary status
comes from the fact that he is the man who penned Texas' de facto
State Anthem, "Whiskey River." It could be that Bush
has achieved this notoriety simply because his music and his
career (which if he were a lesser man would have come to an end
years ago when he was first diagnosed with spasmodic
dysphonia) are deserving of legendary status in a state that
loves to propagate its legends.
Typical of Bush is the fact that very few fans are aware of
the fight that he has had for decades with spasmodic dysphonia,
which is a crippling vocal disorder characterized by involuntary
breaks and spasms in speech patterns. Many folks who make their
living behind a microphone would have seen this as a death knell
for their careers. Not Bush. In fact, it seems that his struggle
with the disorder has made him only more resolute in singing
and performing the music that he loves and that he is called
to do, the songs of and about Texas.
Green Snakes opens, appropriately, with a re-recording
of this beer hall classic about a man who is struggling with
DT's. Bush admits that he doesn't understand the near-cult standing
that this song has with many of his fans, but felt that since
it is one of the most requested numbers at his live performances,
it was worth giving it a musical face lift and featuring it as
the opener to this new album.
Whether or not you are a fan of Johnny Bush, you have to admit
one thing about him: he gathers some of the finest musicians
and records some of the tightest tracks ever laid down in the
annals of Texas music. Every track on Green Snakes is
a musical gem, filled with the rich and diverse musical sources
that are rooted in Texas. If someone were to ask this reviewer
where Johnny Bush's musical strength lies, I would have to say
that it is in his arrangements. They are far and away some of
the best in Texas music today. Whether Bush and company are performing
their legendary western swing numbers, hard core country anthems,
bluesy Texas ballads, or some upbeat honky tonkers, Bush should
be respected for his sense of timing and scoring in his tight
arrangements.
Green Snakes features its share of musical diversity
as well. There's some western swing on such numbers as "Driving
Nails;" some classic country remakes like "When Did
You Stop Lovin' Me;" some gospel, "Glory Train;"
and even a little Tex-Mex influence on "Dos Tacos."
There are some really outstanding musical moments on this album,
such as Bush's duet with Kate McCarthy on "Nobody's Business,"
or the laid back and very jazzy western swing number, "You
Don't Have to Be a Baby to Cry," which is, in my humble
opinion, the single finest track on this album and features some
very fine guitar work by Jackie King reminiscent of the late
great Chet Atkins.
If you are already a Johnny Bush fan or even straddling the
fence where his music is concerned, then Green Snakes
is a must have collection of songs for you for a number of reasons.
There are the fifteen well-scored tracks that brim with a musical
richness that can always be found on a Johnny Bush album. But
if that were not enough to convince you, then let me give you
nine more reasons. Green Snakes comes with a bonus CD
that features nine tracks that Bush recorded for a demo back
in 1965 with compadres Willie Nelson and steel guitar guru Tommy
Morrell. This is the first time that these recordings have been
made available and they provide a classic glimpse into Bush and
his music years before he was a household name.
*Green Snakes is available almost anywhere recorded
music is sold in the known universe, but if you still need some
direction or just want to go check out some nifty websites, go
to www.johnnybush.com
or www.antonesrec.com,
where they will be more than happy to entertain you with information,
facts and sound bites. If you would like to know more about spasmodic
dysphonia, check out www.dysphonia.org/nsda/.
You can contact Scott Snidow at: scott-at-rockzilla.net
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